In Deliciae Physico-Mathematicae (a 1636 magazine), German inventor Daniel Schwenter described a pen made from two quills. One quill served as a reservoir for ink inside the other quill. The ink was sealed inside the quill with cork. Ink was squeezed through a small hole to the writing point. Noted Maryland historian Hester Dorsey Richardson (1862–1933) documented a reference to “three silver fountain pens, worth 15 shillings” in England during the reign of Charles II, ca. 1649-1685.[2] She also found a 1734 notation made by Robert Morris the elder in the ledger of the expenses of Robert Morris the younger, who was at the time in Philadelphia, for “one fountain pen”.[2]

In 1828 Josiah Mason improved a cheap, efficient slip-in nib in Birmingham, England, which could be added to a fountain pen and in 1830, with the invention of a new machine, William Joseph Gillott, William Mitchell and James Stephen Perry devised a way to mass manufacture robust, cheap steel pen nibs. This boosted the Birmingham pen trade and by the 1850s, more than half the steel-nib pens manufactured in the world were made in Birmingham. Thousands of skilled craftsmen and -women were employed in the industry. Many new manufacturing techniques were perfected, enabling the city’s factories to mass produce their pens cheaply and efficiently. These were sold worldwide to many who previously could not afford to write, thus encouraging the development of education and literacy.

The cushion is a very ancient article of furniture; the inventories of the contents of palaces and great houses in the early Middle Ages constantly made mention of them. Cushions were then often of great size, covered with leather, and firm enough to serve as a seat, but the steady tendency of all furniture has been to grow smaller with time.

Cushions were, indeed, used as seats at all events in France and Spain at a very much later period, and in Saint-Simon’s time we find that in the Spanish court they were still regarded as a peculiarly honourable substitute for a chair. In France, the right to kneel upon a cushion in church behind the king was jealously guarded and strictly regulated, as we learn again from Saint-Simon. This type of cushion was called a carreau, or square. When seats were rude and hard, cushions may have been a necessity; they are now one of the minor luxuries of life.